Best logo designs 2009

Here’s a quick rundown of some of my favourite 2009 logos and brand marks – the ones that make me smile!

In no particular order… just added as I see them. Here’s a great list of top logo designs and corporate identity, a great inspiration for creators of brands – on client side and for designers.


royal-parks-logo

The Royal Parks: a neat combination of royal symbolism and the leaves you’d expect in the park.

mouse-logo

Microsoft’s digital advertising awards: by Johnson Banks

fedex-logo

FedEx logo: You’ll only think it’s clever if you can see the arrow between the E and the X. Nice.

v-and-a-museum-logo1

V&A Museum, London: proves that a simple twist in the typography can work wonders

habitat-logo1

Habitat Home Furnishings Store: clever twist on ‘home is where the heart is’.

shelter-logo

Shelter: the housing and homeless charity’s logo

mother-and-child-logo

Mother & Child logo: designed by Herb Lubalin and Tom Carnase in 1965

us-logo

UPS: Original Branding by Paul Rand – a lovely shield motif with a cleverly hidden gift-wrapped parcel. And lower right, the dreadful new version born through the whims of the marketing department; all shiny and new, but lacking the personality of the 1960′s version which will always stand the test of time.

formula-one-f1-logo

Formula One’s F1 logo: not the most beautiful logo in the world, but a nice link for the F and the 1.

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The National Trust’s new strapline – Time Well Spent

national-trust-time-well-spent

The National Trust announces new strapline

Having spent time with a client today discussing the merits of corporate straplines I was fascinated to read about The National Trust changing their strapline. (To be honest, I didn’t actually know they had a strapline… and for the record, it’s ‘For ever, for everyone’). 

 

So why the need for change? Well let’s take the two parts of the existing strapline…

 

The first part: ‘For ever’ – merely reinforces the cynic’s preconceived idea that the Trust is there to preserve old relics, crumbling buildings and ancient works of art. ‘For ever’ reminds most people of turgid history classes and boring school field trips to stately homes – which seem to have been around, quite literally, ‘for ever’…

 

The second part of the old strapline: the ‘For everyone’ bit. I’m afraid ‘everyone’ just doesn’t fit the profile of the stereotypical National Trust member! You see, the National Trust is perceived as an organisation that’s run exclusively by – and for – old folk. Maybe that’s not true, but ask Joe Public about the average age of Trust members and I’d be surprised if they said under 70. 

 

And so to the new strapline. It’s a mini-masterpiece that cleverly changes perceptions amongst people who may previously have not been drawn to The National Trust. ‘Time well spent’ is aimed at encouraging visitors to have great days out without spending loads of cash. It’s far more inclusive and dumbs down ‘history’ into ‘time’. Neat, isn’t it?

 

Expect to see more of the new strapline over the next six months as the Trust tries to attract first-time visitors as well as boost repeat visits among non-members. Adverts will target a range of groups from active families in the run-up to the summer holidays and older people at less busy times.

 

With thanks to the article at Marketing Magazine

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Colour trend for 2009 – officially, it’s Mimosa Yellow.

mimosa-yellow

It’s official.  ‘Mimosa Yellow’ is the colour for 2009.

I‘ve blogged previously about B2B and Corporate Color Trends for 2009 and am now delighted to report that Pantone (the international standard colour system) agree. They’ve just released their official colour for 2009 which is Mimosa Yellow – nominated because “in a time of economic uncertainty… optimism is paramount and no other color expresses hope and reassurance more than yellow.”

 

Expect to see plenty of bright, optimistic shades in 2009…

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Jamie Oliver on British bacon and logos…

 

jamie-oliver-yellow

 

Jamie Oliver urges viewers to bring home the bacon with ‘British logos’

Three cheers for Jamie Oliver in his latest TV documentary on the pig industry. Another great programme in Channel 4′s Great British Food Fight. (If you didn’t see Jamie’s programme on Friday 30th January, scroll down for a link to YouTube).

 

So what’s the connection between Porkers and Logos? Well Jamie explained that standards of animal welfare are higher in the UK than in Europe, which means British pork farmers can’t compete equally with their EU cousins on cost. Here’s how it works: Cheap imports of pork = Brit pig farmers go bust.

 

So how do we support our jolly farmers? Well, we need to buy British bacon, sausages, ham and pork. And the only way to do this is by reading the label carefully. (For example, Tesco’s ‘Wiltshire Bacon’ is made from EU sourced pigs and NOT from humble Wiltshire swine).

 

Here is your brand homework. Learn and remember. These are the ONLY logos that you will see on British pork products:

 

british-food-logos

Freedom Food: This logo means the animals have been reared on British farms inspected and approved by the RSPCA.

Red Tractor: This logo means the animals have been reared to Red Tractor farm standards. Red Tractor has a special scheme, known as Assured British Pigs or ABPigs, which checks farms annually to ensure high standards of animal welfare are being met.

The Quality Pork Standard Mark: When this logo is shown incorporating the Union Jack it means that your pork is British and that the farm that produced it was audited to ensure that it complies with UK law.

 

Always reading the label… and check the logo.

 

Read more about British Food Logos at Jamie Oliver’s website.

See more at YouTube.

 

Contact me to find out how WiseTiger can help you with Online-Offline Communications.

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B2B brand colour trends for 2009

b2b-colour-trends-for-2009

What colours are expected to be fashionable for B2B brands in 2009?

In these times of recession I have blogged elsewhere about the increased need for smart marketing and communications. Now is a good time to talk about trends in brand and brand design that will become increasingly important during the economic downturn. 

 

One thing I am often asked is “what colours should we be using for our brand”? For the last few years the colour palette of B2B brands has been pretty familiar. The usual suspect is ‘blue’ (I once heard that 65% of companies listed on the London Stock Exchange have blue in their corporate identity – note to myself, I must check this!) with most brands adding a second colour – perhaps a red, green, or grey – or occasionally a bright blue! Another recent trend during the pre-recession years were sophisticated colour palettes inspired by architects and interior designers (lets face it, most creative agencies have a Farrow & Ball colour chart knocking around for inspiration).

 

I remember back to the economic slump of the late 90s. I was busy designing Annual Reports for many of the UK’s top PLCs and can recall marketeers, brand managers and corporate comms guys telling us “the budget is fine, just make sure you don’t make it look like we spent too much”. Back then it was a case of printing on uncoated stock (shiny paper looked too flash), cutting back on photo shoots and not being too colourful.

 

So what of 2009? With the economy uncertain, should we expect Corporates and B2B brands to be doing the same as they did in the late 90s? I think not – and I’ll tell you for why. 

 

Firstly, a lot has changed in the last 10 years. In the late 90s the Annual Report was ‘the corporate bible’. These were the days before websites really counted, when an Annual Report told everyone what they needed to know – and that was that for the next 12 months. Gone are the days when you judged a company by the quality of it’s paper stock. Today it’s fast moving – email marketing, virals, online reporting and online news means everything is urgent and on demand 24 hours a day. Colour – even for B2Bs – has got to catch the viewer’s attention. Go bland, and there’s a good chance you won’t be noticed… 

 

Another big change in the last 10 years is the switch in ‘colour technology’. It’s a fact – more people come into contact with brands on-screen than in print. And here’s the rub – on-screen colours are considerably more vibrant than colours printed out of CMYK onto paper. Designers have realised that they can specify vibrant colours as part of a corporate brand, purely because they know they will look great online and on TV.

 

For my friends who ‘print’ it’s also worth remembering that printed colours are getting better too. Recent improvements to repro and printing techniques means that punchy colours are easier and more affordable to achieve on paper.

 

And here’s my final thought. Consumer brands switched all out to vivid, vibrant colours a couple of years ago. And as sure as day follows night, Corporate brands just love to follow Consumer brands for style (with a respectable gap, of course). The timing is just right for Corporates to get punchy with their colour palettes, and suspect 2009 will be the year they do it.

 

A final thought…

Please read this blog post with a measure of common sense. I’m not suggesting for a moment that all B2B brands will suddenly find their MoJo and go all psychedelic and funky on us. They won’t. But the successful Corporates will be dipping their toe in the rainbow river of colour in 2009 for all the right reasons. Watch this space…

 

If you love colour, and you want to explore it and current colour trends visit Adobe’s Kuler or the COLOURlovers websites. They’re well worth a browse…

 

Here are some great examples and inspiration for colour palettes we should expect from B2B’s and Corporates in 2009.


apple-ipod-nano-2009-range

Apple’s range of trendy iPod Nanos sets an exciting precedent for colour inspiration in 2009.

Below: some examples of brands using 2009 colour schemes…

barbican-logo

t-mobile-logo-pink

acrobat9-colours

freesat-logo

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Contact me to find out how WiseTiger can help your brand design in 2009…

 

See my other blog about Pantone’s Official Colour for 2009 – Mimosa Yellow.

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Re-brand at Virgin Radio loses customers

 

virgin-absolute-radio-logo

 

Absolute Radio re-brand = huge drop in listeners

It’s hard to imagine that such a well-planned and well-executed re-branding exercise could go quite so badly wrong. Yet bosses at Absolute Radio (previously Virgin radio) must be asking themselves how something as simple as a name-change could have lost them such a large slice of their listeners.

 

Check these numbers. Absolute Radio’s audience has fallen by 20% since it changed its name from Virgin Radio. Absolute’s chief operating officer Clive Dickens blamed the drop in audience to confusion over the station’s new name. Yet regular listeners will tell you that the station bombarded their audiences with information about the re-brand for 15 weeks beforehand.

 

The re-brand was a contractual requirement after Virgin radio was bought by a division of the Times of India Group in a £53.2m deal.

 

So where did it all go wrong? I have some theories:

 

1. Virgin Radio didn’t listen to its audience. In the weeks running up to the name-change many listeners called in complaining about the re-brand. Somehow these comments weren’t addressed properly (listeners didn’t understand the reason behind the new name) so they walked because they didn’t think their opinions were being heard. The fact is that Virgin had to change its name; but too many listeners thought it was purely cosmetic.

 

2. Absolute Radio was the wrong name. People liked the Virgin name and all its associations with Richard Branson. I can recall listeners calling the station saying on-air that they thought the radio station had been bought by a well-known Vodka brand! ‘Absolut Vodka’ is just too strong a brand for a radio station to take on.

 

3. What a dreadful new logo! Just take a look at the new Absolute Radio branding; it’s boring, bland and lacking in personality. And SO quickly forgotten! I remember from re-branding work that I did with Capital radio in 1999 that the acid test for a radio brand was “would your listeners be proud to wear the logo on a t-shirt”. 

 

For anyone considering re-branding I’d recommend three lessons to be learnt from the Virgin – Absolute re-brand? Firstly, listen to your loyal customers. Secondly, get the name right and do the necessary research and PR to help people understand the name-change. And thirdly, do it with flair and conviction.

 

Read more at the Guardian’s website


Happy Birthday Apple Mac!

apple-mac-birthday-party

 

Apple Macintosh celebrates it’s 25th birthday

Can you believe it’s only been 25 years since the first Apple Mac appeared at the shops?

 

I first came across Macs at Saint Martin’s School of Art in London whilst studying graphic design in the mid-to-late 80s. What an amazing creation these computers were! With software like ‘CricketDraw’ and we had state-of-the-art technology that could output text in high-res ‘bromide’ black and white format with – wait for it – text around circles! It was slow. And laborious. And we needed to two floppy discs to make anything happen. But we were there. We were the early adopters of the Mac…

 

Since then a lot has changed. Technology has speeded up, software has met the tougher demands of the designer, and output looks slicker and smarter than ever before. But for me, Apple Mac has been my friend throughout. Unwittingly, I’ve been an Apple brand champion for most of their 25 years on the planet.

 

So here’s a birthday wish from me to the Mac. And looking forward to the next 25 years.

 

Here’s some links to more Mac at 25 news and stories online:


Computerworld

BBC News Website

 

Two YouTube videos for you. Firstly, the famous Ridley Scott ad that launched the Mac way back in 1984 – and the Mac’c extraordinary 1984 ‘keynote’ launch presentation from Steve Jobs.






 
apple-logo


President Bush’s accidental product endorsement

veet-goodbye-bush-branding

Presidential brand endorsement isn’t just for Obama

I’ve commented previously about well known brands using Obama’s inauguration to promote their products. Well it seems that it’s not just the incoming President that’s accidentally found himself on the marketeer’s radar  – Veet, the ‘unwanted hair removal product’, have just run this lovely ad in Australia to coincide with George Bush’s departure. Nice.

 

Veet's Goodbye Bush branding takes advantage of the change of US president to drive it's message home

Veet's Goodbye Bush branding takes advantage of the change of US president to drive it's message home


New logo for Google

google-logo

Google have just announced a re-brand…

Google must be one of the most frequently seen and most recognised brands in the world. So why would they make any changes to their brand? Well let me be clear – the change is a minor one – marked by the introduction of a new ‘Favicon’. (A Favicon is the little symbol that appears to the left hand side of the URL in your browser – if you look you’ll see a ” simon-verrall-favicon ” at the top of this page which shows you’re looking at my blog).

 

So why all the fuss about Google and a new Favicon? Well take a look for yourself – can you see why everyone’s so excited???


google-favicon


Can you see it? Can you???


Probably not. Because this little Favicon hasn’t been designed to win Google a Yellow Pencil Award. It’s been designed for brand awareness. You see, the normal Google logo we all know so well is a ‘logotype’ – a type-only logo – without a symbol or graphic alongside it. This little Favicon is Google’s new symbol – something new to the brand.

 

You might argue that Google doesn’t need a symbol like Shell, Mercedes or HSBC – after all, Google’s a logo that’s so universally recognised it can be pulled and pushed all over the place without damaging the brand, see below:

google_doodles

Which brings us back to the Google Favicon. The reason Google does need a Favicon is because this little logo appears at the top of the 1.2 billion pages that Google serves up to users every day. Just imagine putting your logo in front of so many people! It’s a branding exercise – however small, this little Favicon is designed to keep Google at the front of the user’s mind.

 

I’ll end on an obvious cliché.

 

When it comes to logos, it’s not size that matters. It’s how often you use it. 



The Virgin brand, 25 years on…


 

Virgin – still using long legs and lipstick to flog airline seats… outdated, sexist advertising?

Creative review writes “What are we supposed to take from this? Surely Virgin has something more interesting to say about itself than ‘fly with us because we’ve got the most shaggable stewardesses’.”

 

Well, I think it’s a fabulous look back at attitudes and ad style from the 80s. Every cliché in the books has been used in this Y&R ad. It is awkward, it is sexist – and that strapline – ‘Still Red Hot’ at the end, is just awful! It’s brilliant, for all the wrong reasons.

 

Enjoy.

 

With thanks to the guys at Creative Review for the lead.


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