Jamie Oliver on British bacon and logos…
Posted: February 3, 2009 Filed under: Brands and Brand Design, Creative comment | Tags: Brand design, Food and drink, In the news, Jamie Oliver, Logos Leave a comment »

Jamie Oliver urges viewers to bring home the bacon with ‘British logos’
Three cheers for Jamie Oliver in his latest TV documentary on the pig industry. Another great programme in Channel 4′s Great British Food Fight. (If you didn’t see Jamie’s programme on Friday 30th January, scroll down for a link to YouTube).
So what’s the connection between Porkers and Logos? Well Jamie explained that standards of animal welfare are higher in the UK than in Europe, which means British pork farmers can’t compete equally with their EU cousins on cost. Here’s how it works: Cheap imports of pork = Brit pig farmers go bust.
So how do we support our jolly farmers? Well, we need to buy British bacon, sausages, ham and pork. And the only way to do this is by reading the label carefully. (For example, Tesco’s ‘Wiltshire Bacon’ is made from EU sourced pigs and NOT from humble Wiltshire swine).
Here is your brand homework. Learn and remember. These are the ONLY logos that you will see on British pork products:

Freedom Food: This logo means the animals have been reared on British farms inspected and approved by the RSPCA.
Red Tractor: This logo means the animals have been reared to Red Tractor farm standards. Red Tractor has a special scheme, known as Assured British Pigs or ABPigs, which checks farms annually to ensure high standards of animal welfare are being met.
The Quality Pork Standard Mark: When this logo is shown incorporating the Union Jack it means that your pork is British and that the farm that produced it was audited to ensure that it complies with UK law.
Always reading the label… and check the logo.
Read more about British Food Logos at Jamie Oliver’s website.
See more at YouTube.
Contact me to find out how WiseTiger can help you with Online-Offline Communications.
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B2B brand colour trends for 2009
Posted: February 1, 2009 Filed under: Brands and Brand Design, Creative comment | Tags: B2B, Brand design, Colour, Logos, Simon says... 3 Comments »What colours are expected to be fashionable for B2B brands in 2009?
In these times of recession I have blogged elsewhere about the increased need for smart marketing and communications. Now is a good time to talk about trends in brand and brand design that will become increasingly important during the economic downturn.
One thing I am often asked is “what colours should we be using for our brand”? For the last few years the colour palette of B2B brands has been pretty familiar. The usual suspect is ‘blue’ (I once heard that 65% of companies listed on the London Stock Exchange have blue in their corporate identity – note to myself, I must check this!) with most brands adding a second colour – perhaps a red, green, or grey – or occasionally a bright blue! Another recent trend during the pre-recession years were sophisticated colour palettes inspired by architects and interior designers (lets face it, most creative agencies have a Farrow & Ball colour chart knocking around for inspiration).
I remember back to the economic slump of the late 90s. I was busy designing Annual Reports for many of the UK’s top PLCs and can recall marketeers, brand managers and corporate comms guys telling us “the budget is fine, just make sure you don’t make it look like we spent too much”. Back then it was a case of printing on uncoated stock (shiny paper looked too flash), cutting back on photo shoots and not being too colourful.
So what of 2009? With the economy uncertain, should we expect Corporates and B2B brands to be doing the same as they did in the late 90s? I think not – and I’ll tell you for why.
Firstly, a lot has changed in the last 10 years. In the late 90s the Annual Report was ‘the corporate bible’. These were the days before websites really counted, when an Annual Report told everyone what they needed to know – and that was that for the next 12 months. Gone are the days when you judged a company by the quality of it’s paper stock. Today it’s fast moving – email marketing, virals, online reporting and online news means everything is urgent and on demand 24 hours a day. Colour – even for B2Bs – has got to catch the viewer’s attention. Go bland, and there’s a good chance you won’t be noticed…
Another big change in the last 10 years is the switch in ‘colour technology’. It’s a fact – more people come into contact with brands on-screen than in print. And here’s the rub – on-screen colours are considerably more vibrant than colours printed out of CMYK onto paper. Designers have realised that they can specify vibrant colours as part of a corporate brand, purely because they know they will look great online and on TV.
For my friends who ‘print’ it’s also worth remembering that printed colours are getting better too. Recent improvements to repro and printing techniques means that punchy colours are easier and more affordable to achieve on paper.
And here’s my final thought. Consumer brands switched all out to vivid, vibrant colours a couple of years ago. And as sure as day follows night, Corporate brands just love to follow Consumer brands for style (with a respectable gap, of course). The timing is just right for Corporates to get punchy with their colour palettes, and suspect 2009 will be the year they do it.
A final thought…
Please read this blog post with a measure of common sense. I’m not suggesting for a moment that all B2B brands will suddenly find their MoJo and go all psychedelic and funky on us. They won’t. But the successful Corporates will be dipping their toe in the rainbow river of colour in 2009 for all the right reasons. Watch this space…
If you love colour, and you want to explore it and current colour trends visit Adobe’s Kuler or the COLOURlovers websites. They’re well worth a browse…
Here are some great examples and inspiration for colour palettes we should expect from B2B’s and Corporates in 2009.

Apple’s range of trendy iPod Nanos sets an exciting precedent for colour inspiration in 2009.
Below: some examples of brands using 2009 colour schemes…




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Contact me to find out how WiseTiger can help your brand design in 2009…
See my other blog about Pantone’s Official Colour for 2009 – Mimosa Yellow.
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New logo for Google
Posted: January 20, 2009 Filed under: Brands and Brand Design | Tags: Brand design, Google, Logos, Simon says... Leave a comment »
Google have just announced a re-brand…
Google must be one of the most frequently seen and most recognised brands in the world. So why would they make any changes to their brand? Well let me be clear – the change is a minor one – marked by the introduction of a new ‘Favicon’. (A Favicon is the little symbol that appears to the left hand side of the URL in your browser – if you look you’ll see a ”
” at the top of this page which shows you’re looking at my blog).
So why all the fuss about Google and a new Favicon? Well take a look for yourself – can you see why everyone’s so excited???
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Can you see it? Can you???
Probably not. Because this little Favicon hasn’t been designed to win Google a Yellow Pencil Award. It’s been designed for brand awareness. You see, the normal Google logo we all know so well is a ‘logotype’ – a type-only logo – without a symbol or graphic alongside it. This little Favicon is Google’s new symbol – something new to the brand.
You might argue that Google doesn’t need a symbol like Shell, Mercedes or HSBC – after all, Google’s a logo that’s so universally recognised it can be pulled and pushed all over the place without damaging the brand, see below:

Which brings us back to the Google Favicon. The reason Google does need a Favicon is because this little logo appears at the top of the 1.2 billion pages that Google serves up to users every day. Just imagine putting your logo in front of so many people! It’s a branding exercise – however small, this little Favicon is designed to keep Google at the front of the user’s mind.
I’ll end on an obvious cliché.
When it comes to logos, it’s not size that matters. It’s how often you use it.
Ill-conceived logos
Posted: January 7, 2009 Filed under: Brands and Brand Design, Creative comment | Tags: Brand design, Fun, Logos, Simon says... 1 Comment »Here’s my personal collection of the worst logos in the world… enjoy.
Bad logos, the worst logos, funny logos… call them what you like.
In no particular order… and please feel free to send me more examples. If they’re worthy of this hall of fame I’ll post them up for everyone’s amusement.

Murco (aka the Cat’s bottom)
Have you ever watched a cat walking away from you, with its tail in the air, and seen the Murco logo staring you in the eye? Surely someone at Murco must have said “hang on guys, this logo looks like a cat’s a***hole”?

Kuda Pharmacy in Japan
Again, doesn’t someone seek opinions before running with a logo like this!
(With thanks to Boing Boing for this image).

Happy Eater
Typography aside, this is a classic! Fancy creating a restaurant chain logo with a man with his fingers down his throat!

Megaflicks logo
I’m sorry, but is this for real???

The Institute for Eastern Studies
And yes, it’s the sun rising behind a Japanese building.

The UK’s Office of Government Commerce
A logo with an amusing twist when viewed from the wrong angle… read more

Best logo designs 2009
Posted: March 4, 2009 | Author: Simon Verrall | Filed under: Brands and Brand Design, Creative comment, Simon's random blogs | Tags: Brand design, Logos | Leave a comment »Here’s a quick rundown of some of my favourite 2009 logos and brand marks – the ones that make me smile!
In no particular order… just added as I see them. Here’s a great list of top logo designs and corporate identity, a great inspiration for creators of brands – on client side and for designers.
The Royal Parks: a neat combination of royal symbolism and the leaves you’d expect in the park.
Microsoft’s digital advertising awards: by Johnson Banks
FedEx logo: You’ll only think it’s clever if you can see the arrow between the E and the X. Nice.
V&A Museum, London: proves that a simple twist in the typography can work wonders
Habitat Home Furnishings Store: clever twist on ‘home is where the heart is’.
Shelter: the housing and homeless charity’s logo
Mother & Child logo: designed by Herb Lubalin and Tom Carnase in 1965
UPS: Original Branding by Paul Rand – a lovely shield motif with a cleverly hidden gift-wrapped parcel. And lower right, the dreadful new version born through the whims of the marketing department; all shiny and new, but lacking the personality of the 1960′s version which will always stand the test of time.
Formula One’s F1 logo: not the most beautiful logo in the world, but a nice link for the F and the 1.
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